6.05 Ludwig Salvator 1893/1896
Ludwig Salvator, Archduke of Austria-Tuscany
Ludwig Salvator, Vulcano, Prague 1893
Be 4630-4931/1 raro IX
Each of the seven islands has its own “book”, actually in the form of elaborately designed folio volumes (42 x 33 cm), which he prepared on the ship and produced at his own expense with a large staff. As anonymous private prints, they were mostly given to friends and relatives. Accordingly, complete copies are rare and expensive. Each volume features 40-50 woodcuts by the engravers Friedrich Hawránek and Johann Simáné, based on drawings that Ludwig Salvator made on site, which are often the first and at the same time the best illustrations of the objects described. From this point of view, these and other island books by Ludwig Salvator represent an important contribution to the historical knowledge of the Mediterranean islands. Together with his first major publication Die Balearen (The Balearic Islands, 7 volumes, Leipzig 1869–1891), Die Liparischen Inseln (The Lipari Islands) became the centre of his journalistic work. In addition, he published numerous other books on islands and coastal sections of the Mediterranean. At the outbreak of the First World War, Ludwig Salvator was summoned to Vienna by his family. He died in 1915 at Brandeis Castle near Prague. [GM]
Ludwig Salvator, Stromboli, Prague 1896
Be 4630-4931/7 raro IX
In exploring the individual islands, Ludwig Salvator proceeded according to a proven scheme. The respective dignitaries were presented with a hundred-page questionnaire, which they had to fill out with the utmost precision. In the meantime, Ludwig explored the island, drawing and taking notes. His interests were encyclopaedically broad. In addition to topography, geology and botany, folkloristic aspects occupied a large space. In most illustrations, informative and decorative aspects are balanced. Thus the work, like the author’s other publications, is a mixture of scientific presentation, narrative travelogue and topographical veduta collection. Probably because of this mixed form, which was unusual for the time, Ludwig Salvator’s works remained without any significant resonance for a long time. Only in recent times has a modestly flourishing research on the work and author emerged. [GM]